Entries Tagged 'ui' ↓

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Yes, this is another round-up of fresh and useful Javascript techniques, tools and resources. But don’t close the tab yet, as you might find this one very useful. In this selection we present calendars, forms, buttons, navigation, debugging, optimization and compatibility tables as well as handy resources and tools. We also cover various jQuery-plugins that will help you extend the functionality of your website and improve user experience with ready components or coding solutions.

The last section also covers a number of useful educational resources such as a compilation of useful JavaScript coding practices, a detailed comparison of JavaScript frameworks and general JavaScript programming conventions. We are looking forward to your feedback.

You may be interested in the following related posts:

• 50 Fresh JavaScript Tools That Will Improve Your Workflow
• 45 Powerful CSS/JavaScript-Techniques
• 70 Useful AJAX And JavaScript Techniques

[By the way: The network tab (on the top of the page) is updated several times a day. It features manually selected articles from the best web design blogs!]

Calendars and Timelines

jDigiClock – Digital Clock (HTC Hero inspired)
jDigiClock is a jQuery plugin inspired from HTC Hero Clock Widget.

jQuery Sliding Clock v1.1
jQuery transpearant Slider clock with CSS sprites.

Date / Time Picker
Note that this control is not designed to work in IE6; although it will function correctly in most cases, the positioning of the calendar may be way off depending on how your page is styled.

JavaScript Debugging and Validation Tools

Venkman JavaScript Debugger project page
Venkman is the code name for Mozilla’s JavaScript Debugger. Venkman aims to provide a powerful JavaScript debugging environment for Gecko-based browsers namely Firefox 3.x, the Netscape 7.x series of browsers, Netscape 9.x series, Mozilla Seamonkey 1.x and Mozilla Seamonkey 2.x. It does not include Gecko-based browsers such as K-Meleon 1.x, Galeon 2.x and Netscape 8.x. The debugger is available as an add-on package in XPI format. Venkman JavaScript Debugger has been provided as part of the Mozilla install distribution since October 3rd 2001.

CompanionJS
Companion.JS (pronounced Companion dot JS or CJS) is a Javascript debugger for IE.

How to Test your JavaScript Code with QUnit
QUnit is a powerful JavaScript unit testing framework that helps you to debug code. It’s written by members of the jQuery team, and is the official test suite for jQuery. But QUnit is general enough to test any regular JavaScript code, and it’s even able to test server-side JavaScript via some JavaScript engine like Rhino or V8.

JS Bin – Collaborative JavaScript Debugging
JS Bin is an open source collaborative JavaScript debugging tool.

Forms, Buttons & Navigation

Making a Google Wave History Slider
Here is shown how to create a Google Wave-like history slider. Using it will enable visitors to go back and forth in time to view the changes that take place on a comment thread.

Fancy Radio Buttons With jQuery
Creation of 2 mandatory option sets that a user could choose, while hiding off the radio button inputs and using an anchor links to make it a bit more usable.

Creative Button Animations with Sprites and JQuery
Fading hover effect for which the transition is smoothed with JavaScript, using jQuery library.

Password (un)Masking
JavaScript jQuery that toggles the masking and unmasking of the password field.

jQuery MagicLine Navigation
These “sliding” style navigation bars have been around a while, and turns out it’s really pretty darn easy. Here are put two examples together.

Fixed Fade Out Menu: A CSS and jQuery Tutorial
The aim is to have a fixed navigation that follows the user when he scrolls, and only subtly showing itself by fading out and becoming almost transparent. When the user hovers over it, the menu then becomes opaque again. Inside of the navigation we will have some links, a search input and a top and bottom button that let the user navigate to the top or the bottom of the page.

jQuery plugin: Simplest Twitter-like dynamic character count for textareas and input fields
The best way to explain what this plugin does is to mention Twitter. Twitter posts are limited to 140 characters. While typing the Twitter post there is this always present information about how many characters the users have before reaching the limit. The information is not only provided merely by displaying a number, there are different colors applied to certain stages to notify the user about the status.

Sliding Labels v2
Form label keeping the label inline, but sliding it off to the left rather than going away on click.

Ketchup Plugin
Ketchup is a slim jQuery Plugin that validates your forms. It aims to be very flexible and extendable for its appearance and functionality.

Layout tools

jQuery {css}designerGrid Plugin
{css} designerGrid is A jQuery Plugin developed for website interface developers who use the grid system of layout. {css} designerGrid is intended to assist these developers with CSS prototyping.

css-template-layout
JavaScript (jQuery) implementation of the CSS Template Layout Module

How to create a fluid grid with jQuery
Grid-based layout is probably the more preferred way to style up a webpage to give it more magazine-like look and feel. This tutorial is about how to use CSS and Javascript to create a fluid grid-based layout (See demo here). The algorithm/procedure used in this tutorial is very simple and straightforward. There are more advanced algorithms out there which can handle multiple scenarios. But the purpose is to understand the basic logic on how to create such layout. So here it goes…

closure-templates
Closure Templates are a client- and server-side templating system that helps you dynamically build reusable HTML and UI elements. They are easy to learn and customizable to fit your application’s needs. Closure Templates support JavaScript and Java and use a data model and expression syntax that works for either language. You can also use the built-in message support to easily localize your applications.

Useful jQuery Plugins

TipTip jQuery Plugin
TipTip detects the edges of the browser window and will make sure the tooltip stays within the current window size. As a result the tooltip will adjust itself to be displayed above, below, to the left or to the right of the element with TipTip applied to it, depending on what is necessary to stay within the browser window. TipTip is a very lightweight and intelligent custom tooltip jQuery plugin. It uses ZERO images and is completely customizable via CSS. It’s also only 3.5kb minified!

jQuery Roundabout
Roundabout is a jQuery plugin that converts a structure of static HTML elements into a highly customizable turntable-like interactive area. (And now, not just turntables, but many shapes!)

jParse – jQuery XML Parse Plugin
jParse is a jQuery plugin that allows you to parse XML that was fetched with the jQuery .ajax method (making it fully customizable).

jQuery Quicksand plugin
Reorder and filter items with a nice shuffling animation.

typeQuery, change website typography with jquery
typeQuery gives the flexibility to change the font-family for everything you define with class, id, or tag, this example is referring to the selected item on a select object with id=”tag” and the font-family value at select object with id=”family”: $($("#tag").val()).css("font-family", $("#family").val());

Flip! A jQuery plugin v0.9.9
Flip is a jQuery plugin that will flip easily your elements in four directions.

Data Encryption With JavaScript: jCryption
jCryption is a jQuery plugin for encrypting POST/GET data submitted by forms. It uses public-key algorithm of RSA for the encryption & has a PHP file for handling the decryption of data.

Minimalist jQuery: 11 useful plugins under 4K
jQuery makes our lives easier. So much so that it’s tempting to use it all the time, inadvertently slowing our page load times (cue YSlow and Hammerhead). Combining, compressing, and delivering scripts at the end of your page helps in the HTTP request department. On the file size front, below are jQuery plugins that give solid bang for your performance buck.

Undo/Redo in jQuery
An easy-to-use plugin for adding undo/redo capabilities to a jQuery application. It is based loosely on the Objective-C/Cocoa way of doing things.

editease
editEase – jQuery CMS | no fuss, no database, no worries

jsHub
jsHub is a single piece of JavaScript (a “tag”) that can handle reading different sorts of page information and then send them to many different vendors’ products. One piece of code to send to Google Analytics, Omniture SiteCatalyst, WebTrends and Mixpanel. Instead of one piece of JavaScript per vendor, jsHub has a single piece of code (the “hub”) and plugins that know how to translate into the required wire protocol for each vendor. Vendors only maintain the plugin for their product.

Educational JavaScript Resources and Tutorials

Caffeinated Simpleton
JavaScript is an amazing little language, but it’s got some quirks that turn a lot of people off. One of those quirks is this, and how it’s not necessarily what you expect it to be. this isn’t that complicated, but there are very few explanations of how it works on the internet. This article is an attempt to explain how this works and how to use it properly.

What You Need To Know About JavaScript Scope
This article discusses how JavaScript handles scope and how various JavaScript libraries provide methods for dealing with it and how they smooth out a few bumps. We’ll also look at how you can get back to basics and do some interesting scope wrangling without a library, a useful approach if you’re writing code that needs to stand alone.

Learning Advanced JavaScript
A very nice tutorial to learn JavaScript, containing code and discussion from the upcoming book Secrets of the JavaScript Ninja by John Resig.

Highlight search terms automagically with JavaScript and mark
Script surrounding the search term(s) with the mark element rather than a span, although the class searchword is retained in case you want to style these marks differently from others. In the CSS, the rule article mark is just added to turn it a gentle shade of pink.

10 Really Helpful Traversing Functions in jQuery
With jQuery, selecting HTML elements is laughably easy. But at times, we may wish to further refine the selection, which can be a hassle when the HTML structure is complicated. In this tutorial, we’ll explore ten ways that we can refine and extend a set of wrapped elements that we wish to operate upon.

Using keyboard shortcuts in Javascript
If you want to enhance your web app, Javascript keyboards shortcuts is definitely something to consider. In this article, you’ll learn to use JS keyboard shortcuts, with and without the JQuery framework.

Code Conventions for the JavaScript Programming Language
This is a set of coding conventions and rules for use in JavaScript programming.

jQuery – Select element cheat sheet
This cheat sheet helps you to find the index of a selected option, set the selected option by value, set the selected option by text, insert a new option before or after another and get the text or value of the selected option.

Compare JavaScript frameworks
Modern Web sites and Web applications tend to rely quite heavily on client-side JavaScript to provide rich interactivity, particularly through the advent of asynchronous HTTP requests that do not require page refreshes to return data or responses from a server-side script or database system. In this article, you will discover how JavaScript frameworks make it easier and faster to create highly interactive and responsive Web sites and Web applications.

Park your Horse, Code Cowboy: Professional JavaScript Workflows, Part 1
In this series, we’ll talk about tools & techniques you can use to cover those No’s, and cut a lot of strife & embarrassment from your JavaScript experience.

JavaScript Reference examples (example source code)
JavaScript Reference examples, organized by Objects, Properties, Methods & Collections. Some Event Handlers Reference are also available.

JavaScript best practices
A compilation of best practices and good advice I’ve amassed over the years, much of it learnt the hard way (experimentation and suchlike). Take the advice below to heart and keep it in a part of your brain that has a quick access route so you can apply it without thinking about it. I am sure you will find things to disagree with, and that is a good thing – you should question what you read, and strive to find better solutions. However, I have found that following these principles has made me a more effective developer and allowed other developers to build upon my work more easily.

wtfjs
JavaScript is a language we love despite it giving us so much to hate. This is a collection of those very special irregularities, inconstancies and just plain painfully unintuitive moments for the language of the web.

Related Posts

You may be interested in the following related posts:

• 50 Fresh JavaScript Tools That Will Improve Your Workflow
• 45 Powerful CSS/JavaScript-Techniques
• 70 Useful AJAX And JavaScript Techniques

Poll

What programming language should we cover in next round-up?surveys

© Smashing Editorial for Smashing Magazine, 2010. | Permalink | 63 comments | Add to del.icio.us | Digg this | Stumble on StumbleUpon! | Tweet it! | Submit to Reddit | Forum Smashing Magazine
Post tags: AJAX, javascript, jquery

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CSS and JavaScript are extremely powerful tools for designers and developers. However, sometimes it’s difficult to come up with the one excellent idea that would solve a problem that you are facing right now. Good news: almost every day designers and developers come up with fresh and clever CSS tricks and techniques and share them with other developers online. We regularly collect all these tricks, filter them, sort them, revise them and prepare them for Smashing Magazine readers.

In this post we present 45 useful CSS/JavaScript-techniques that may help you find clever solutions to some of your problems or just get inspired by what is possible with CSS. We cover interesting CSS-techniques, navigation menus, CSS typography, CSS lists and CSS buttons. The focus of this post lies on CSS; please notice that some of the techniques use JavaScript or PHP for enhanced functionality.

Please notice that this is the first part of our large round-up of fresh CSS/JavaScript-techniques. Other techniques (CSS tables, CSS layouts, CSS for Mobile and CSS forms) will be featured in an upcoming article. So don’t forget to subscribe to our RSS-feed and follow us on Twitter for similar articles and a stream of useful resources. Please also let us know what we should change or improve in our future posts!

We are aware that many readers are tired of “lists” floating around in the Web, but we are confident that the vast majority of our visitors will benefit from this post format and will find at least some of the techniques featured in this post useful.

By the way, did you know that Smashing Magazine has one of the most influential and popular Twitter accounts? Join our discussions and get updates about useful tools and resources — follow us on Twitter.

Interesting CSS Techniques

Building the New Visual Annotations
These note overlays are composed of two main elements, an overlay with the shine and a border with the transparency. A very interesting, yet simple technique by the ZURB Design Agency, designers who have written a series of articles on Smashing Magazine as well.

Sexy Music Album Overlays
This aticle shows how to style your music streams and provides you some graphics to do so.

A Colorful Clock With CSS & jQuery
This tutorial describes how one can create a clock using basic CSS and JavaScript.

How To Create Depth And Nice 3D Ribbons Only Using CSS3
We will use box-shadow to create a drop-shadow with RGBa, a color model that allows an optimized contrast with any kind of backgrounds. RGBa is the standard RGB model (0,0,0 – 255,255,255) and it adds the last option (a) for the opacity. We can use this model also for other properties and it works with the new browser.

Advanced Event Timeline With PHP, CSS & jQuery
This Advanced Event Timeline is used with the help of PHP, MySQL, CSS and jQuery. The result: a nice time line with clickable events. Adding new ones is going to be as easy as inserting a row in the database.

CSS Navigation Menus

CSS 3D Meninas
“I’ve took the classic paint The Maids of Honour (Las Meninas) and created a CSS pseudo-3D / Parallax effect. It is pure CSS, no JavaScript or Flash is involved. It has been tested and is working on Internet Explorer 8, Firefox 3, Opera 9, Safari 3, Chrome 4 and Konqueror 3.5, and it validates, too.

Sproing! – Make An Elastic Thumbnail Menu
“In an ongoing attempt to offer alternative methods to spruce up menus, I’ve pieced together an elastic thumbnail menu. It magnifies menu items when they are hovered over and menu items expand upwards.

How to Create Simple and Effective Sub Navs with Definition Lists
“When we need simple and effective on-page navigation, to either jump to content on the page or flip to another view, we use the dl element. Its sub elements, the dt and dd, make it very easy for us to create inline links with a clear label. Here we’re going to share with you a fast, lightweight method for how we’ll use CSS to do it.”

Sticky SideNav Layout with CSS
Learn how to create a fixed sidenav layout for your blog or website. Having a fixed sidenav comes in handy when dealing with blog style websites where the content is extremely tall and there is a need for good amount of scrolling. The fixed navigation allows the user to cruise through the content without scrolling back up to the top to navigate through the rest of the site.

Unobtrusive Dropdown Page Changer
Using a <select> dropdown menu to create navigation isn’t as common as it once was, but it’s still around. It got ripped on pretty good for being an inaccessible / obtrusive. Indeed a lot of the scripts you’ll find out there for creating a menu like this are this way. Bummer. Let’s make one that works with or without JavaScript.

CSS Navigation: No JavaScript, jQuery or Image Required, Free CSS Navigation / Pagination with Tooltip
CSS-based navigation / pagination bar without JavaScript. There is a tooltip on hover for the ‘previous’ and ‘next’ page’s bullets that makes navigation easier.

How to Code an Overlapping Tabbed Main Menu
Main navigation menu is that part of a website design that makes the whole site look lively and complete. But the most common type of navigation menu style still being used a lot is the tabbed navigation menu. Here is a tutorial on how to code an overlapping tabbed menu.

Solution For Very Long Dropdown Menus
“I like to be confident with post titles, but the reality in this case is a possible solution for very long dropdowns. The problem with long dropdowns is that the dropdown itself can go below the “fold” of the website. That is, below the visible area of the browser window. So in order to access those menu items down below, you need to scroll your browser window. For those of us with scroll wheels of some kind on our mice (mouses?), it’s not a big deal. For those without, those lower menu items are totally inaccessible, because to use the browser scrollbar means mousing off the menu (and probably having it close).”

Mega Drop Down Menu w/ CSS & jQuery
When used properly, mega drop down menus can be quite efficient for large scale websites. Let’s experiment with different ways of implementing this technique. A tutorial by Soh Tanaka, Smashing Magazine’s regular author.

CSS Typography and Body Copy

How to Create a Cool Anaglyphic Text Effect with CSS
Anaglyphs are those amazing 3D images that are created by offsetting two of the red, green and blue channels, and are viewed with those nerdy looking 3D glasses with different coloured lenses. I don’t know if this effect works for real, as I’ve unfortunately misplaced my 3D specs, but it’s a pretty cool text effect nevertheless! Let’s take a look at how a similar style can be created for sprucing up your web designs, while taking into consideration semantics and avoiding the repetition of any markup.

Typographic work planner
Enter this, a little HTML/CSS typographic work planner. By using some super-semantic HTML and a dash of CSS you can craft a beautiful looking yet incredibly simple work planner for you and your staff.

Thinning Text in Webkit (Safari)
Safari has a not-so-lovely way of bulking up text using sub-pixel rendering. On previous versions of Safari, this was fixed with a text-shadow declaration, but since Snow Leopard that method no longer works. Fortunately, there is an alternative.

Pseudo Drop Caps
They’ve been around for a while now, appearing in magazines, print and now the web. Designers and developers alike have experimented with multiple workarounds from using inline styles to using image replacement but with both of these solutions there are problems. For example, what happens when you recreate your site and decide that you no longer want to upload the drop cap images, you’re now going to left with a broken image at the start of every single post that you had previously created, this is obviously assuming you haven’t used text-indent. If you decided to go down on the inline style route then your are just bad, just very bad.

How to Create Perfect Pre Tags
If you operate a website that features lots of code examples, you know how important it is to spend some quality time styling the &tl;pre> element. When left unstyled, wild <pre> tags will mangle your preformatted content and destroy your site’s layout. Different browsers treat the <pre> tag quite differently, varying greatly in their default handling of font-sizing, scrollbar-rendering, and word-wrapping. Indeed, getting your preformatted code to look consistent, usable, and stylish across browsers is no easy task, but it certainly can be done. This article explains everything you need to create proper <pre> tags.

Improve your web typography with baseline shift
The baseline is an invisible line onto which all type characters sit, although of course some characters (including ‘j’, ‘p’, ‘g’ and ‘y’) have descenders that hang below the baseline. Baseline shift involves moving characters up or down in relation to the baseline and using it effectively can make a huge difference to the professional look of your type. Although baseline shift has traditionally been a part of using tools like InDesign or Quark, there are ways to accomplish the same results using CSS.

Typograph – Scale & Rhythm
This page is both an essay and a tool. It sets out to explore how two, intertwined concepts, often playful but sometimes cheeky, can be encouraged to dance in web pages. Drag the colored boxes along the scale to throw these words anew. For the most part, this text is just a libretto for the performance you are about to play upon it.

Fancy Quotes With jQuery, AJAX & CSS
Learn how to create a fancy quote rating system that will display a number of famous quotes and will enable site visitors to rate their favorites.

How To Create Simple, Stylish and Swappable Image Captions
Most image caption solutions require a lot of excessive HTML, make it difficult to redesign or don’t communicate clearly that they belong to an image. Let’s see what we can do to address these problems.

Styling photo captions with CSS
Sure, some photos are self-explanatory, but most photos are best served with text captions. It’s true for traditional media like newspapers and magazines, and just as true for blog posts and web articles. Here’s a quick tip on using photo captions and styling them nicely with the magic of CSS.

Image captions on Web pages
This document suggests three ways of presenting an image with a caption in HTML. Styling in CSS is also discussed.

Styling Post Headings That Stick Out
“Recently, I’ve noticed a trend in blog post headings where it sticks out of its base layout. I would like to share this technique for those who would like to give their post headings a new style. One tip to keep in mind when designing this is to make sure it fits your target audience screen resolution size. Note that this technique may vary depending on your design. My goal is for you to grasp the main concept in this tutorial so you can experiment and apply it to your own projects.”

Using ellipsis with HTML and CSS
If the text is too wide to fit into a container, a nice solution can be to have ellipsis to show there’s more information available. While not currently part of the official HTML specifications, it is possible to have ellipsis defined in CSS and it works for Internet Explorer, Safari, Chrome and Opera. It doesn’t work for Firefox but there’s a workaround that can be done with jQuery.

5 Message Boxes to Style your Notifications with CSS
This article presents free notification boxes to use/customize as well as a very simple technique to create your own ones inspired from this roundup.

CSS Lists

Create a Microsoft Word-Style Outline with CSS
As you can see, the browser doesn’t bother to vary the indentation style much, or change the list type from roman numerals to alphabetical characters and so on… all the things we’re so used to seeing because Microsoft Word and other writing programs do them by default. So let’s use a bit of CSS ingenuity to make a Microsoft Word-styled outline using ordered lists!

Pure CSS Timeline
“I wanted to build a CSS timeline for the “About” section of my site while using some clean and simple markup. I wanted to avoid using images as much as possible, so I spent a few minutes prototyping some options and came up with a solution using unordered lists. The result is a simple and clean looking timeline with some very straight forward markup. In this article I’ll share my approach to creating a timeline out of CSS and HTML which results in a nice looking, simple timeline.”

Automatic numbering with CSS Counters
When writing documents, it is often useful to number sections and have a table of contents. You can number these by hand, directly in the markup, but this can be time consuming if the order changes and you have to edit all the numbers. CSS2.1 gives us a automated way to generate numbers using CSS counters, and this article will walk you through how to use them. One word of note before we start is that CSS counters are not yet implemented in IE, although they are on the roadmap for IE8.

CSS tricks for custom bullets

Elastic Calendar Styling with CSS
A traditional calendar is a grid of numbered boxes on a page. As a web designer, you might go right for a table, and I wouldn’t fault you for that. Tables, though, can sometimes be tough to muscle into shape. The CSS purist in me gets pissed when I set the width of a table (or a cell) and it decides it knows better and grows or shrinks as it sees fit.
You can tackle calendar styling with pure CSS, and I feel it makes just as much sense semantically as a table does. What is a calender, if not an ordered list of days? By using CSS, we can even do some cool things like do all our sizing with ems so our calendar layout will be elastic. That is, grow in both width and height when text is resized in browsers, while greatly increasing accessibility.

Style a List with One Pixel
A one-pixel background image can be a pretty versatile thing. With repeat-x it can be a horizontal line, repeat-y makes a vertical line, and repeat makes it a fill color. Just as a little fun proof of concept, we can use that to create a depth-chart looking unordered list.

Style Your Ordered List
By default, most browsers display the ordered list numbers same font style as the body text. Here is a quick CSS tutorial on how you can use the ordered list (ol) and paragraph (p) element to design a stylish numbered list.

Simulating a Table Using an Unordered List
Your first question immediately might be, “why would I want to simulate a table with a list, why not just use a table?” With the raise in popularity of AJAX sortable list elements, using list items to represent a multiple column data table can allow for easy sorting of various more “tabley” information. So let’s get started.

8 different ways to beautifully style your HTML lists with CSS
“The use of HTML lists (<ol> for an ordered list, <ul> for an unordered list) is very common these days. Today, we’re going to look a little bit further than creating regular lists, by showing 8 different ways to beautifully style your HTML lists with CSS. We’ll use some pure CSS techniques to make a bored list look awesome (and even have some extra functionality).”

Quick Tip – Simplify List Margins with CSS
Have you ever set default margins for a layout, and then had to go back and manually adjust all of your lists? By default, list item markers have a negative positioning in relationship to the list item itself. This means that zero-ing out margins automatically leads to an overflow if the list is contained inside anything else. Wouldn’t it be easier to put the list item marker at the same starting point as other elements instead? Lucky for us, there’s a style to help do just that. Let’s see what can be done with the list-style-position property.

Sexy HTML List Tricks
Behold the ubiquitous list elements, <ul> and <ol>. These two sexy elements help millions of websites display lists of information in clean, semantic fashion. Without them, we’d be crawling around like filthy cavemen, eating dirt and howling at the moon. But these list elements aren’t just sexy, they are also extremely flexible, enabling us humble designers to create robust list configurations that are semantically versatile and highly customizable.

Clickable <li>
I originally coded the markup to be a table, but discovered a problem when I tried to make the whole row clickable. I ended up with a list of articles instead.

CSS Buttons

Simply-Buttons v2
This technique presents buttons of the size that always fits the content. There are 3 states: inactive, active and hover. The technique works in all major browsers and doesn’t require JavaScript.

How to make sexy buttons with CSS
This tutorial will teach you how to create pretty looking textual buttons (with alternate pressed state) using CSS. Dynamic buttons save you heaps of time otherwise spent creating graphics and will basically make you a happier person at the end of the day.

Liquid & Color Adjustable CSS Buttons
When working on a large site with multiple buttons, it can be quite tedious to make all the buttons in Photoshop. Making future adjustments on the verbiage and colors can be also be time consuming. By having dynamic buttons, this scenario is much easier to handle, and by having liquid and color adjustable buttons with CSS, we are able to change the verbiage and colors in a flash.

Create a Button with Hover and Active States using CSS Sprites
Too many designers neglect the click state (active-property in CSS) in web design, either because they’re unaware of it, underestimate the importance of it or are plain lazy. It’s a simple effect that improves usability by giving the user some feedback as to what they’ve clicked on but can also add depth to a design.

Recreating the button
“I thought it would be interesting to provide a portion of the background on buttons here, and discuss some of the iterations we’ve been through so far to get to the current state.”

Rounded form buttons

Google’s Imageless Buttons
An interesting discussion about various buttons design techniques to reconstruct Google’s imageless buttons.

Stay tuned!

This is the first part of our large round-up of fresh CSS/JavaScript-techniques. Don’t forget to subscribe to our RSS-feed and follow us on Twitter for similar articles and a stream of useful resources. Please also let us know what we should change or improve in our future posts!

Would you like to see more similar round-ups on Smashing Magazine in the future?(answers)

© Smashing Editorial for Smashing Magazine, 2010. | Permalink | 64 comments | Add to del.icio.us | Digg this | Stumble on StumbleUpon! | Tweet it! | Submit to Reddit | Forum Smashing Magazine
Post tags: CSS, javascript, js

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We’re all mostly accustomed to educating ourselves by reading articles. Rare are the opportunities to attend conferences or watch live shows on subjects that we’re interested in. That’s why we are presenting here phenomenal videos and related resources on the topic of user experience (UX) by different presenters at different events. We have focused on current content but have included some older videos that are still relevant. It will take you more than 16 hours to watch all of these videos. So, make some popcorn, turn off the lights and enjoy.

User Experience Videos

The State of User Experience
Jesse James Garett, founder of Adaptive Path and author of the book The Elements of User Experience, speaks on what UX and UX design is, what UX looked like before and what are some of the challenges people are encountering now. He cites engagement as the main goal of UX design and, through some fantastic examples, shows that engagement is an universal quality achieved through visuality, sound, touch, smell, taste, body and mind. One of the most impressive moments from the session is when Jesse compares Beethoven to an experience designer, accompanied by the Ninth Symphony. Duration: 40 minutes.

UX Best Practices
In this excellent video session, Nick Finck pries open the most popular websites today, including eBay, Amazon, Toyota, Flickr, Twitter and Netflix, to explain user experience best practices. Nick discusses both the good and bad experiences on these websites on the basis of visual design, information architecture, interaction and ease of use. For those unfamiliar with UX, Nick explains the basic concept and contributing factors. The last 20 minutes of the session are reserved for Q&A, and some very interesting questions and great answers come up. Duration: 1 hour 32 minutes. There is no video of the session, only 75 slides with an audtio track.

The Three Ways That Good Design Makes You Happy
In this short but fantastic lecture, Don Norman, known to many as the author of The Design of Everyday Things, explains visual, behavioral and reflective design and the ways in which each of them affects people. In his witty way, Done shows examples from everyday life. Duration: 13 minutes.

5 Minutes on Imitation in Design
In this brilliant short talk, Jeffrey Veen explains what is meant by “Good artists copy, great artist steal.” By way of an interesting short story about World War II and the American army’s contact with natives of the Pacific Islands, he also explains “cargo cult” and how it still present today. A truly brilliant video. Duration: 6 minutes.

UX Team of One
In this half-hour session held at the IA Summit 2008, Leah Buley of Adaptive Path shows what it means to be a UX team of one by telling her own story and recounting a real-life example. Leah explains the concept of generative design, which is the process of creating and sketching a lot of different ideas and then refining them. The slides are amazing because Leah drew them by hand. Duration: 32 minutes.

Experience Is the Product
Peter Merholz explains why it is important to focus not on technology or features but on the product and the experience you want to create. The session is rich in good and bad examples drawn from real life. Duration: 43 minutes.

Behavior Is Our Medium
In this fantastic session, Robert Fabricant talks about interaction design beyond computing technology. His examples include the family tree and one particularly interesting tree that his daughters drew. His examples from history, especially ancient history, are amazing and put interaction design in a broader context beyond the computer interfaces we’re so used to. Duration: 61 minutes.

Web Form Design
If you think Web forms suck (because you have to fill them in every day), then you must see this video. This talk by Luke Wroblewsky at MIX 09 is based on years of experience in usability testing and study. Luke shows examples from the real world and addresses the major problems with Web form design today. You will see how some of the biggest websites have failed and what you can do to prevent such failures in your Web forms. Duration: 75 minutes.

User Experience Design for Non-Designers
In this short mini-breakout session, Shawn Konopinsky explains what UX design is at a very abstract level. He shows three different types of user interfaces and how UX design applies to all three. He explains basic concepts such as concept ideation, interaction design and visual design and emphasizes the importance of an “Agile” approach to projects. Duration: 18 minutes.

The Importance of Identity and Vision to UX Designers on Agile Projects
If you watched the previous video, you will know why the Agile approach is important in UX design. This video and the slides go deeper into the Agile approach, relying on research done at London university. Johanna Kollmann explains the research and the results. Duration: 32 minutes.

Learning IxD from Everyday Objects
“Inspiration surrounds us in everyday objects.” This is how Bill DeRouchey begins this brilliant talk about interaction design. We use icons, words or shapes to create a language of interactions. If we use the wrong language, the interaction becomes confusing, and this is what Bill shows, using many common objects and devices. One of the most interesting slides is the one that shows how users “hack the interface.” Duration: 45 minutes.

Two videos: Information and Architecture
In these two short videos, Mickey McManus explains related concepts: information and architecture, using everyday objects, such as cup of tea, to illustrate his argument. The videos are part of a short article in which Mickey draws these concepts together to explain what information architecture is. Duration: a few minutes.

Wireframes for the Wicked
Nick Finck, along with Michael Angels and Donna Spencer, goes over wireframing basics via short easy questions. What are wireframes? Why use wireframes? What does the process of wireframing look like? The three of them also explain the different types of wireframes and show examples of their work. Duration: 1 hour 5 minutes.

Design Prototyping: Bringing Wireframes to Life
Dan Harrelson explains the purpose of prototyping, why it is important and how it differs from wireframes and visual comps. With wireframing, instead of seeing how a concept functions or works, we see how it actually feels, which contributes to better usability testing. The video, like all videos from MIX 09, has “double view”: while looking at the large slides, you have a synchronized inset video of the speaker. Duration: 60 minutes.

Journey to the Center of Design
Does user-centric design really exist? In this funny keynote, Jared Spool asks whether user-centric design (UCD) has lost its way and needs to evolve into something else. Ironically, as studies have shown, many great projects have succeeded without UCD. Jared suggests three key attributes of great experience design that can replace UCD. Duration: 1 hour 14 minutes.

User-Centered Design 101
In this Web seminar, Frank Spiller demystifies the paradigm of UCD. He explains the difference between usability and UCD, which has confused many. From the perspective of the development process, he compares UCD to the Agile and Waterfall processes. At the end, he shows some UCD success stories. Duration: 58 minutes.

The Mint.com Experience
Aaron Forth of Mint.com speaks of the importance of aligning your user experience and business objectives. He goes over the challenges of delivering such a user experience at Mint, what the company did to attract brand interest and how Mint became one of the best personal-finance software tools today. Interesting fact: Mint discontinued IE6 support because it spent almost 20% of its time designing for the browser. Duration: 40 minutes.

Mobile User Experiences
Rachel Hinman start her talk about mobile user experiences with a provocative thought: that technology disengages us from real life. She says we should rethink our relationship to devices and use them in the context of concrete tasks. Duration: 24 minutes.

Tap Is the New Click
“Several years ago, Minority Report was a sci-fi movie, and now we’re already there with [the touch wall].” At the beginning of his session, Dan Saffer shows a couple of examples of touch-screen technology that marks the beginning of a new era of interaction in which gesture and touch replace mouse clicks. He explains how to design for these technologies by going over how touch-screens differ from traditional websites and devices. Duration: 67 minutes.

10/GUI
This is a fantastic experiment that examines current mouse-driven user interfaces and their limitation while offering a completely new way of interaction. Although keyboard and mouse were really great innovations in past century, Clayton Miller think we shouldn’t stop there but rather innovate further. Duration: 8 minutes.

The Least You Can Do About Usability
Steve Krug, known to many as the author of Don’t Make Me Think, here tries to convince people to do their own usability testing. Confirming Jacob Nielsen’s advice, that developers can do it themselves, Steve identifies the minimum requirements to make usability testing meaningful. At the end of the session, Steve performs a short usability test right in front of the audience, which makes this session truly outstanding. Duration: 60 minutes.

AJAX Usability
Kelly Norton talks about a very interesting, and often forgotten, subject: AJAX usability. He covers usability basics and how to design AJAX applications for humans. Full of real-life examples, he offers several concrete suggestions on how to improve usability in AJAX applications. Duration: 55 minutes.

Jason Fried of 37signals Speaking at Business of Software 2008
In this short amazing session, Jason Fried shares his thoughts and experiences from 37Signals. Ideas are agile, some even radical. This video is interesting because many of Jason’s thoughts contrast with widespread opinion. In the second half of the session, Jason uses audience questions to explain his ideas in more detail. Duration: 55 minutes.

Bonus videos

Sketching User Experiences
In this keynote from MIX09, the first 25 minutes are taken up by Bill Buxton, known to many as the author of the book Sketching User Experiences. In an optimistic talk, he explains why now, in these days of crisis, is a good time to pay attention to design and what key factors are required to revitalize the user experience. Duration: 25 minutes.

Interview With Don Norman on UX Week 2008
In a relaxed atmosphere at UX Week 2008, Don Norman answers interesting questions and share his thoughts on various aspects of design. One of the best bits comes at the beginning, when Don speaks of his “crusade” to replace the word “users” with “people.” Will we ever have “People Experience”? Do we already have it? Find the answer in this fantastic interview. Duration: 53 minutes.

(al)

© Janko Jovanovic for Smashing Magazine, 2010. | Permalink | 40 comments | Add to del.icio.us | Digg this | Stumble on StumbleUpon! | Tweet it! | Submit to Reddit | Forum Smashing Magazine
Post tags: usability, user experience, ux

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For the past two years, the elegant iPhone has housed some of the most poorly designed applications you could imagine. The hype surrounding iPhone has prompted many designers across the globe to try their skills with the new mobile medium. The result are literally thousands of various iPhone-applications that are often hardly usable and counter-intuitive. However, some designers invest a lot of time and efforts into creating usable and original user interfaces (yes, there are usable and creative UIs).

This article explores the ways in which designers use graphical elements and screen interactions to create iPhone-applications that are easy on the eyes and mind. The aim of this article is to display common trends and design approaches in iPhone app design – please notice that they are not necessarily optimal ones from the design or usability point of view.

1. Mirroring Native iPhone UI Elements

“Tell them what you’re gonna tell them, tell them, and then tell them what you told them.” Creating a whole new OS within your app can be fun, but when you’re dealing with the mobile medium, people just want to get stuff done. Getting stuff done means that the designer has to get into the flow of the OS and create an app that requires zero explanation for the end user to operate. Mirroring the layout and UI elements that the user is already familiar with saves time and energy. So it seems quite convenient to use this approach when designing iPhone-applications.

Facebook (iTunes Link)
In the new Facebook 3.0, you’ll find a grid layout that users can swipe left and right to access more categories. Because it mirrors Apple’s native UI, users do not have to “learn” how to use it all over again. A similar approach exists in Web design: users expect to see a logo in the top left, navigation along the top, etc. Facebook has taken this concept mobile, using large buttons that are easily distinguishable and tap-able.

Where (iTunes link)
Where has a similar concept, allowing users to swipe left and right to access more data.

Tweetdeck [iTunes link]
Tweetdeck is a good example of user interface design on many levels. Notice how the design highlights recent updates. The application could display the updates in a new window, with a categorized or tabbed list. But it doesn’t. Instead, a more familiar dialogue menu is displayed — it serves as a springboard to jump to a specific category or to clear the messages altogether.

2. Simplifying The Interface

Simplifying user interfaces may sound like a mechanical task, but what lies beneath the surface of user interface design? The answer is simple: users. And what do users want? What makes them all warm and fuzzy? How do you deliver what they want so that they don’t even notice how they are consuming information?

Facebook’s first release did a great job of fitting a lot of core functionality into a small space. The problem, of course, is in laying out all that data and creating an intuitive interface. Compare 3.0 with the first release, and you’ll see how they took a “springboard” approach to streamlining the interface, keeping it intuitive and maintaining functionality.

Flickr [iTunes link]
Flickr is another example of how to achieve a good balance between functionality, visual design and the small display area on mobile devices. Think about it: what is at the core of Flickr? Photos. Its users probably do not want to look at big clunky navigational elements; instead, they are looking for pictures. Flickr has managed to fit all of its core functionality without heading down the highway to navigational hell. In fact, most elements in the navigation are handled by interacting with the photos themselves. Simple and smart.

3. Hardware-ish Look

Many utilities are breaking out of the conventional iPhone UI to take advantage of the device’s unique ability to respond to finger gestures. Many of these have hardware-ish interfaces that users are familiar with but come with perpetually shiny exteriors and clicks and pops that maintain their newness from the first to one-thousandth click. Next up, though: an app that gets dirtier the more you play with it.

Convertbot (iTunes link)
Convertbot reminds us of the proportion wheel we all used in grade school, except it’s more distinctive, original and creative.

Little Snapper (iTunes Link)
Little Snapper mimics the wheel that you turn on a typical digital SLR.

iHandy Level (iTunes Link)
iHandy Level simulates the look and functionality of a real, well-used leveler.

Where To? [iTunes Link]
This application looks like it belongs in a Mercedes. Plush leather, matte-finish tactile buttons: quality craftsmanship. We can just imagine how each button press feels solid, requiring the perfect amount of pressure.

4. Rich, Padded And Pretty List Views

You know that you are a geek designer when you get excited about the latest trends in list view design. And what do people do when they encounter a list view? Of course, they skim. And how do we make it easier for people to decide what interests them? That’s right: more visual cues!

Essentially, users are asking for a snapshot of what’s next, and then decide if they want more information. One way to do this is with big pretty buttons. Large and in charge, elegantly designed big buttons give the user a lot of information through their color, icons and typography.

Delivery Status Touch (iTunes Link)
Check out how Delivery Status uses appropriate colors on its big buttons to identify each brand. And it uses typography well to establish a hierarchy of information.

Be Happy Now (iTunes Link)
Be Happy Now’s big buttons convey the “be happy” mantra through a mellow color scheme and light, calm and clear typeface.

Next Read [iTunes link]
The Next Read application allows friends to share books. Here all books about a particular topic are presented, including the title, cover image, review rating and number of people who have recommended it. Notice the padding and a lot of white space for each navigation option; this makes the areas easily clickable and easier to navigate.

Nike [iTunes link]
Nike’s workout application for women includes a nice visual treatment and illustrations that match the brand. It breaks out of the traditional UI just enough to communicate the brand without making it difficult for users to understand the interface and how to use it.

Borange [iTunes link]
Borange is a “social availability” application that helps you coordinate meetings with friends. The list view presents a lot of information: friends you want to hang out with, the meeting location and a nice visualization of friends who are available.

5. Layered Interface

Several applications take advantage of the iPhone’s capabilities by layering the interface and making some elements stationary and others vertically or horizontally scrollable. This approach has several benefits:

1. It reduces the number of traditional navigation elements that are necessary (i.e. fewer buttons help to avoid a cluttered interface).
2. It gives users a faster route to the information they want.
3. More screen space is available for information.

Tweetie (iTunes Link)
Tweetie uses layers to organize information specific to each of your Twitter friends. Just look at all of the information packed into this one screen!

Barnes & Noble [iTunes link]
Barnes & Noble has a layered interface that allows you to quickly slide through new releases at the top or dive into more categories below.

USA Today [iTunes link]
USA Today takes a slightly different approach to layering the interface in its “Pictures” section: it uses sliding panels to display blocks of information. While the interface may look cluttered at the first glance, one can easily get around it. The interesting part is that within each panel you can slide thumbnails left and right to view more images.

myPantone [iTunes link]
Would we expect any less from Pantone? The color picker shown above is a layered interface that lets you pick from a range of colors, sort and scroll as well as open and close detail screens, all without too driving you crazy.

6. Icons For The List View

Icons aren’t just for springboard-loving folks. On small screens, icons can give a huge boost to an application’s usability and navigation. Let’s now take a look at some examples of applications that use icons to their advantage.

iStudiez (iTunes Link)
This application uses various educational metaphors as icons to clearly communicate the purpose of the application. Excellent visual cues tell the student what’s happening today at a glance.

Top Floor (iTunes Link)
Top Floor uses simple and easily recognizable icons to quickly guide users to their category of choice.

New York Times
Isn’t it great when applications just let you do whatever you want to do? For an app with as much information as the New York Times’, users are bound to have their favorite sections. Well, guess what? The New York Times cares: it lets you customize the tab bar’s navigation to include only your favorite sections of the paper. Drag an icon down the tab bar and you are set. The downside of the design is, of course, its lack of visual appeal.

Filemaker [iTunes link]
Here is another example of beautiful icons that aren’t obscure or confusing. Designers should never use icons just for the sake of having icons. As designers, we want icons that illustrate what users are actually going to get when they choose a particular path. Nicely done, Filemaker.

7. Illustrations in use

Applications that rely on graphics not found in the standard user interfaces are increasing in popularity, as developers try to set their apps apart from the crowd. Sometimes it works, but often it doesn’t. The more unconventional a design is, the more likely it is to have usability problems. Please always conduct usability testing before releasing a product with a “creative” user interface.

Magnetic Personalities (iTunes link)
An excellent example of how buttons don’t have to look like standard buttons.

SugarSync [iTunes link]
This interface could have easily followed the traditional list-view route. Instead, the designers played with the concept of “connectivity” to create a visual treatment that communicates the purpose of the app. It is unusual and requires some time to get used to.

Mom Maps [iTunes link]
Another example of how illustrations do a great job of pulling together the whole concept of an application.

8. Using Gestures

Classic linear navigation may look boring: a button that links to other buttons, which leads you to a list of something, which leads you to such-and-such an interaction. Not really spectacular. The possibilities for creative interaction in utility apps are huge and largely untapped (no pun intended).

Mover (iTunes link)
Mover exemplifies how to use gestures for sharing contacts, photos and bookmarks. Open two devices, and flick the shared files from one handset to the other.

ABC Animals [iTunes link]
This application teaches while it entertains. Being able to trace a letter with your finger is another example of how the iPhone responds to touch and movement.

All Recipes [iTunes link]
This applications allows you to mix in various elements to create your next meal using gestures.

Something is missing?

We missed some common design approach or trend? Please let us know in the comments to this post!

About the Author

Jen Gordon is the owner of Atlanta-based iPhone app design studio Clever Twist, which will release its latest app Farm Friends in just a few days. She specializes in usable interfaces, beautiful design and straight talk. She loves her family and the iPhone and periodically dreams that she’s close friends with Dolly Parton. Follow her on Twitter or drop her a line to say “Hi!”.

(al)

© Jen Gordon for Smashing Magazine, 2009. |
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Post tags: iphone, showcases, trends

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Everyone would agree that usability is an important aspect of Web design. Whether you’re working on a portfolio website, online store or Web app, making your pages easy and enjoyable for your visitors to use is key. Many studies have been done over the years on various aspects of Web and interface design, and the findings are valuable in helping us improve our work. Here are 10 useful usability findings and guidelines that may help you improve the user experience on your websites.

1. Form Labels Work Best Above The Field

A study by UX Matters found that the ideal position for labels in forms is above the fields. On many forms, labels are put to the left of the fields, creating a two-column layout; while this looks good, it’s not the easiest layout to use. Why is that? Because forms are generally vertically oriented; i.e. users fill the form from top to bottom. Users scan the form downwards as they go along. And following the label to the field below is easier than finding the field to the right of the label.

Tumblr features a simple and elegant sign-up form that adheres to UX Matter’s recommendation.

Positioning labels on the left also poses another problem: do you left-align or right-align the labels? Left-aligning makes the form scannable but disconnects the labels from the fields, making it difficult to see which label applies to which field. Right-aligning does the reverses: it makes for a good-looking but less scannable form. Labels above fields work best in most circumstances. The study also found that labels should not be bold, although this recommendation is not conclusive.

2. Users Focus On Faces

People instinctively notice other people right away when they come into view. On Web pages, we tend to focus on people’s faces and eyes, which gives marketers a good technique for attracting attention. But our attraction to people’s faces and eyes is only the beginning; it turns out we actually glance in the direction the person in the image is looking in.

Eye-tracking heat map of a baby looking directly at us, from the UsableWorld study.

And now the baby is looking at the content. Notice the increase in people looking at the headline and text.

Here’s an eye-tracking study that demonstrates this. We’re instinctively drawn to faces, but if that face is looking somewhere other than at us, we’ll also look in that direction. Take advantage of this phenomenon by drawing your users’ attention to the most important parts of your page or ad.

3. Quality Of Design Is An Indicator Of Credibility

Various studies have been conducted to find out just what influences people’s perception of a website’s credibility:

• Stanford-Makovsy Web Credibility Study 2002: Investigating What Makes Web Sites Credible Today
• What Makes A Web Site Credible? A Report on a Large Quantitative Study
• The Elements of Computer Credibility
• Elements that Affect Web Credibility: Early Results from a Self-Report Study (Proceedings of ACM CHI 2000 Conference on Human Factors in Computing Systems, v.2, New York: ACM Press)

We don’t know if Fever app is any good, but the sleek user interface and website make a great first impression.

One interesting finding of these studies is that users really do judge a book by its cover… or rather, a website by its design. Elements such as layout, consistency, typography, color and style all affect how users perceive your website and what kind of image you project. Your website should project not only a good image but also the right one for your audience.

Other factors that influence credibility are: the quality of the website’s content, amount of errors, rate of updates, ease of use and trustworthiness of authors.

4. Most Users Do Not Scroll

Jakob Nielsen’s study on how much users scroll (in Prioritizing Web Usability) revealed that only 23% of visitors scroll on their first visit to a website. This means that 77% of visitors won’t scroll; they’ll just view the content above the fold (i.e. the area of the page that is visible on the screen without scrolling down). What’s more, the percentage of users who scroll decreases with subsequent visits, with only 16% scrolling on their second visit. This data highlights just how important it is to place your key content on a prominent position, especially on landing pages.

This doesn’t mean you should cram everything in the upper area of the page, just that you should make the best use of that area. Crowding it with content will just make the content inaccessible; when the user sees too much information, they don’t know where to begin looking.

Basecamp makes great use of space. Above the fold (768 pixels high), it shows a large screenshot, tagline, value proposition, call to action, client list, videos and short feature list with images.

This is most important for the home page, where most new visitors will land. So provide the core essentials there:

1. Name of the website,
2. Value proposition of the website (i.e. what benefit users will get from using it),
3. Navigation for the main sections of the website that are relevant to the user.

However, users’ habits have significantly changed since then. Recent studies prove that users are quite comfortable with scrolling and in some situations they are willing to scroll to the bottom of the page. Many users are more comfortable with scrolling than with a pagination, and for many users the most important information of the page isn’t necessarily placed “above the fold” (which is because of the variety of available display resolutions a quite outdated, deprecated term). So it is a good idea to divide your layout into sections for easy scanning, separating them with a lot of white space.

For further information please take a look at the articles Unfolding the fold (Clicktale), Paging VS Scrolling (Wichita University – SURL), Blasting the Myth of the Fold (Boxes and Arrows). (thanks, Fred Leuck).

5. Blue Is The Best Color For Links

While giving your website a unique design is great, when it comes to usability, doing what everyone else is doing is best. Follow conventions, because when people visit a new website, the first place they look for things are in the places where they found them on most other websites; they tap into their experience to make sense of this new content. This is known as usage patterns. People expect certain things to be the same, such as link colors, the location of the website’s logo, the behavior of tabbed navigation and so on.

Google keeps all links on its websites blue for a reason: the color is familiar to most users, which makes it easy to locate.

What color should your links be? The first consideration is contrast: links have to be dark (or light) enough to contrast with the background color. Secondly, they should stand out from the color of the rest of the text; so, no black links with black text. And finally, research shows (Van Schaik and Ling) that if usability if your priority, sticking to blue for links is best. The browser’s default link color is blue, so people expect it. Choosing a different color is by no means a problem, but it may affect the speed with which users find it.

6. The Ideal Search Box Is 27-Characters Wide

What’s the ideal width of a search box? Is there such a thing? Jakob Nielsen performed a usability study on the length of search queries in website search boxes (Prioritizing Web Usability). It turns out that most of today’s search boxes are too short. The problem with short boxes is that even though you can type out a long query, only a portion of the text will be visible at a time, making it difficult to review or edit what you’ve typed.

The study found that the average search box is 18-characters wide. The data showed that 27% of queries were too long to fit into it. Extending the box to 27 characters would accommodate 90% of queries. Remember, you can set widths using ems, not just pixels and points. One em is the width and height of one “m” character (using whatever font size a website is set to). So, use this measure to scale the width of the text input field to 27-characters wide.

Google’s search box is wide enough to accommodate long sentences.

Apple’s search box is a little too short, cutting off the query, “Microsoft Office 2008.”

In general, search boxes are better too wide than too short, so that users can quickly review, verify and submit the query. This guideline is very simple but unfortunately too often dismissed or ignored. Some padding in the input field can also improve the design and user experience.

7. White Space Improves Comprehension

Most designers know the value of white space, which is the empty space between paragraphs, pictures, buttons and other items on the page. White space de-clutters a page by giving items room to breathe. We can also group items together by decreasing the space between them and increasing the space between them and other items on the page. This is important for showing relationships between items (e.g. showing that this button applies to this set of items) and building a hierarchy of elements on the page.

Notice the big content margin, padding and paragraph spacing on The Netsetter. All that space makes the content easy and comfortable to read.

White space also makes content more readable. A study (Lin, 2004) found that good use of white space between paragraphs and in the left and right margins increases comprehension by almost 20%. Readers find it easier to focus on and process generously spaced content.

In fact, according to Chaperro, Shaikh and Baker, the layout on a Web page (including white space, headers, indentation and figures) may not measurably influence performance but does influence user satisfaction and experience.

8. Effective User Testing Doesn’t Have To Be Extensive

Jakob Nielsen’s study on the ideal number of test subjects in usability tests found that tests with just five users would reveal about 85% of all problems with your website, whereas 15 users would find pretty much all problems.

Source: Jakob Nielsen’s AlertBox

The biggest issues are usually discovered by the first one or two users, and the following testers confirm these issues and discover the remaining minor issues. Only two test users would likely find half the problems on your website. This means that testing doesn’t have to be extensive or expensive to yield good results. The biggest gains are achieved when going from 0 test users to 1, so don’t be afraid of doing too little: any testing is better than none.

9. Informative Product Pages Help You Stand Out

If your website has product pages, people shopping online will definitely look through them. But many product pages lack sufficient information, even for visitors doing a quick scan. This is a serious problem, because product information helps people make purchasing decision. Research shows that poor product information accounts for around 8% of usability problems and even 10% of user failure (i.e. the user gives up and leaves the website) (Prioritizing Web Usability).

Apple provides separate “Tech Specs” pages for its products, which keeps complicated details away from the simpler marketing pages, yet provides easy access when they’re needed.

Provide detailed information about your products, but don’t fall into the trap of bombarding users with too much text. Make the information easy to digest. Make the page scannable by breaking up the text into smaller segments and using plenty of sub-headings. Add plenty of images for your products, and use the right language: don’t use jargon that your visitors might not understand.

10. Most Users Are Blind To Advertising

Jakob Nielsen reports in his AlertBox entry that most users are essentially blind to ad banners. If they’re looking for a snippet of information on a page or are engrossed in content, they won’t be distracted by the ads on the side.

The implication of this is not only that users will avoid ads but that they’ll avoid anything that looks like an ad, even if it’s not an ad. Some heavily styled navigation items may look like banners, so be careful with these elements.

The square banners on the left sidebar of FlashDen are actually not ads: they’re content links. They do look uncomfortably close to ad banners and so may be overlooked by some users.

That said, ads that look like content will get people looking and clicking. This may generate more ad revenue but comes at the cost of your users’ trust, as they click on things they thought were genuine content. Before you go down that path, consider the trade-off: short-term revenue versus long-term trust.

Bonus: Findings From Our Case-Studies

In recent years, Smashing Magazine’s editorial team has conducted a number of case studies in an attempt to identify common design solutions and practices. So far, we have analyzed Web forms, blogs, typography and portfolios; and more case studies will be published next month. We have found some interesting patterns that could serve as guidelines for your next design.

Here, we’ll review some of the practices and design patterns that we discovered in our case studies in this brief, compact overview, for your convenience.

According to our typography study:

• Line height (in pixels) ÷ body copy font size (in pixels) = 1.48
  1.5 is commonly recommended in classic typographic books, so our study backs up this rule of thumb. Very few websites use anything less than this. And the number of websites that go over 1.48 decreases as you get further from this value.
• Line length (pixels) ÷ line height (pixels) = 27.8
  The average line length is 538.64 pixels (excluding margins and padding), which is pretty large considering that many websites still have body copy that is 12 to 13 pixels in font size.
• Space between paragraphs (pixels) ÷ line height (pixels) = 0.754
  It turns out that paragraph spacing (i.e. the space between the last line of one paragraph and the first line of the next) rarely equals the leading (which would be the main characteristic of perfect vertical rhythm). More often, paragraph spacing is just 75% of paragraph leading. The reason may be that leading usually includes the space taken up by descenders; and because most characters do not have descenders, additional white space is created under the line.
• Optimal number of characters per line is 55 to 75
  According to classic typographic books, the optimal number of characters per line is between 55 and 75, but between 75 and 85 characters per line is more popular in practice.

According to our blog design study:

• Layouts usually have a fixed width (pixel-based) (92%) and are usually centered (94%). The width of fixed layouts varies between 951 and 1000 pixels (56%).
• The home page shows excerpts of 10 to 20 posts (62%).
• 58% of a website’s overall layout is used to display the main content.

According to our Web form design study:

• The registration link is titled “sign up” (40%) and is placed in the upper-right corner.
• Sign-up forms have simple layouts, to avoid distracting users (61%).
• Titles of input fields are bolded (62%), and fields are vertically arranged more than they are horizontally arranged (86%).
• Designers tend to include few mandatory fields and few optional fields.
• Email confirmation is not given (82%), but password confirmation is (72%).
• The “Submit” button is either left-aligned (56%) or centered (26%).

According to our portfolio design study:

• 89% of layouts are horizontally centered, and most of them have a large horizontal navigation menu.
• 47.2% of portfolios have a client page, and 67.2% have some form of standalone services page.
• 63.6% have a detailed page for every project, including case studies, testimonials, slideshows with screenshots, drafts and sketches.
• Contact pages contain driving directions, phone number, email address, postal address, vCard and online form,

Other Resources

• 15 Valuable Usability PDFs You’ve Never Heard Of
• 15 Important Research Findings You Should Know
• 10 Additional Research Findings You Should Know
• Introduction To Good Usability
• 11 Striking Findings From an Eye-Tracking Study
• 25 Incredibly Useful Usability Cheat Sheets And Checklists
• 10 Usability Findings To Increase Sales And Customer Loyalty
• Web form design guidelines: an eye-tracking study

Have any thoughts on what we’ve covered, or know of other useful usability findings? Please leave a comment below.

About the Author

Dmitry Fadeyev is the founder of the Usability Post blog, where you can read his thoughts on good design and usability. Follow Dmitry on Twitter @usabilitypost

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© Dmitry Fadeyev for Smashing Magazine, 2009. |
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Post tags: findings, research, usability

An anonymous reader writes with an interesting and impressive demonstration of modern browsers’ HTML 5 capabilities. “From the 9elements blog: ‘HTML5 is getting a lot of love lately. With the arrival of Firefox 3.5, Safari 4 and the new 3.0 beta of Google Chrome, browsers support some great new features including canvas and the new audio/video tags. [...] We’ve created a little experiment which loads 100 tweets related to HTML 5 and displays them using a javascript-based particle engine.’ The site warns “(beware: sophisticated browser needed)”; Firefox 3.5 seems to work fine.

Read more of this story at Slashdot.

I enjoy the US show Chuck (maybe because a geeky guy gets to hang with a beautiful woman? :) and there is a 3D episode to launch their new season. Our 2009 Ajax season relaunches an old favourite meme, the Ajax loaders (e.g. ajaxload.info) with a new 3D special.

Timur Gafforov has given us Preloaders which allows you to select size, speed, and from a set of 3D spinners. Make your users wait in style! :)

If you’ve ever wondered how the Internet was born, but can’t be bothered reading a whole book on the subject, check out this short animated documentary from Milah Bilgil. Entitled History of the internet, it does a great job explaining time-sharing, file-sharing, arpanet and internet. The video uses a new type of info-graphic called PICOL icons, which will soon be made available for free on picol.org. PICOL stands for Pictorial Communication Language – it’s a project that aims to create “a standard and reduced sign system for electronic communication.” PICOL is free to use and open to alter.

Sponsor

History of the Internet from PICOL on Vimeo.

Discuss

By Dmitry Fadeyev

Web design consists, for the most part, of interface design. There are many techniques involved in crafting beautiful and functional interfaces. Here’s my collection of 10 that I think you’ll find useful in your work. They’re not related to any particular theme, but are rather a collection of techniques I use in my own projects. Without further ado, let’s get started.

1. Padded block links

Links (or anchors) are inline elements by default, which means that their clickable area spans only the height and width of the text. This clickable area, or the space where you can click to go to that link’s destination, can be increased for greater usability. We can do this by adding padding and, in some cases, also converting the link into a block element. Here’s an example of inline and padded links, with their clickable areas highlighted to show the difference:

Obviously, the larger the clickable area is, the easier it is to click on the link because there is less of a chance of missing it. Converting links into block elements makes the text area span the whole width of the container, unless the width is specified otherwise. This makes it ideal for links located in sidebars. We can do it with the following code:

a {
	display: block;
	padding: 6px;
}

Make sure to also add a healthy dose of padding to the links, because converting a link into a block only affects its behavior and width; adding padding ensures that the link is high enough and has some room to breathe.

2. Typesetting buttons

Attention to every detail is what separates a great product from a mediocre one. Interface elements such as buttons and tabs are clicked on many times a day by your users, so it pays to typeset them properly; and by typesetting I mean positioning the label. Here’s a couple of examples of the kind of misplaced labels I sometimes notice:

At first glance they look okay, but notice that the text is placed too high because the lowercase letters have been used as a guide to align the text vertically in the center, like so:

However, if we use uppercase letters as well as lowercase letters with ascenders (”t,” “d,” “f,” “h,” “k” and “l”), the balance shifts upwards, making the label appear too high on the button. In such cases, we should set the type using the uppercase height as a guide — or set it a little bit higher if most of the letters are lowercase. Here’s what I mean:

This gives the whole button a more balanced look and feel. Little touches like this go a long way towards making your interface more polished and satisfying to use.

3. Using contrast to manage focus

Similarly, you can also manage the focus of your visitors’ attention with contrast between elements. Here’s an example of a post headline and some meta information underneath regarding who posted the article and its date:

All the text is set in black. Let’s decrease the contrast between the meta information (the date and author’s name) and the background by putting the text in a light shade of gray:

The highest contrast element here is the headline, so it literally pops out at us. The other elements fade into the background. Here, I’ve chosen the author as the second-most important element, and the date as the least. The font also differs in size and style, but the contrast level can be very powerful. Let’s reverse the order of importance to date, author and headline:

You can see how effective it is in shifting focus: the date now pops out at you, while the headline fades away. This technique comes in very handy for information-heavy websites, such as blogs, forums and social networks, in which you want to make a lot of information easily scannable while still showing a lot of additional things, like dates. Fading the extras allows visitors to easily focus their attention on the most important pieces of text.

4. Using color to manage attention

Color can also be used to effectively focus your visitors’ attention on important or actionable elements. For example, during the US presidential election, pretty much all of the candidates’ websites had the donation button colored red. Red is a very bright and powerful color so it attracts attention, and it stands out even more when the rest of the website is blue or another colder color.

Warmer tones like red, yellow and orange are naturally bright and so tend to attract the eye. They also “expand” when set against colder colors like blue and green. This means that an orange button on a blue background looks like it’s flowing outwards and taking the front seat. Conversely, a blue button on an orange background contracts inward, wishing to stay in the background. Here’s a picture to illustrate:

Here’s a couple of examples of websites that use color effectively to direct users’ attention to the important elements:

Function features a “We’re Hiring” link on its jobs page. To ensure the link is not missed, the designers set it against a red background that pops out from the dark background header, effectively grabbing attention.

Causecast use color effectively. Four bright pink elements pop out at you: the logo, the feedback link, the donate link and the website description message.

Want the “About” blurb on your website to grab the visitor’s focus? Make the background yellow. Want to make the “Join” button stand out? Color it orange. Make sure not to highlight too many elements, though; if you do, they may get lost in each other’s company.

5. White space indicates relationships

One of the most crucial elements in an interface is the white space between elements. If you’re not familiar with the term white space, it means just that: space between one interface element and another, be it a button, a navigation bar, article text, a headline and so on. By manipulating white space, we can indicate relationships between certain elements or groups of elements.

So, for example, by putting the headline near the article text we indicate that it is related to that text. The text is then placed farther away from other elements to separate it and make it more readable. Here’s an example in which white space could be improved:

The text looks all right and is certainly readable, but because the spaces above and below each heading are equal, they don’t separate each piece of text clearly. We can improve this by increasing the white space between each section and also by slightly tightening the line height of the paragraphs:

This results in more clearly defined blocks; we can easily tell which headings go with which pieces of text and can see the separate sections clearly. Good designers often squint or glance at their work from a distance, which lets them see the blocks of elements separated by white space as they merge together. If you cannot see these groups clearly then you may need to tweak your white space.

6. Letter spacing

Web design is pretty limiting for typographers. But while there are only a few safe Web fonts and not a great many things you can do to style them, it’s worth remembering that we do still have some level of control. “Tracking” is a term used in the field of typography to describe the adjustment of spacing between letters in words. We’ve got the ability to do this with CSS using the “letter-spacing” property.

If used with restraint and taste, this property can be effective in improving the look of your headlines. I wouldn’t recommend using letter spacing on the body text because the default spacing generally provides the best readability for smaller font sizes.

Here’s an example of letter spacing in use:

And here’s the CSS code used for the above examples:

h1 {
	font-family: Helvetica;
	font-size: 27px;
}

h2 {
	font-family: Helvetica;
	font-size: 27px;
	letter-spacing: -1px;
}

h3 {
	font-family: Georgia;
	font-size: 24px;
	letter-spacing: 3px;
	font-variant: small-caps;
	font-weight: normal;
}

The effect can be useful when you want to craft a more aesthetically pleasing or more original heading. Here, I’ve used only a couple pixels for letter spacing, but already it makes a big difference to the style of the font.

7. Auto-focus on input

Many Web applications and websites feature forms. These may be search forms or input forms inviting you to submit something. If this form is the core feature of your application or website, you may want to consider automatically focusing the user’s cursor on the input field when the website loads. This will speed things up because users can start typing right away without having to click on it. A good example of this is Google and Wikipedia’s websites.

Upon arriving at Wikipedia.org, the search box is already highlighted, ready to accept text.

To automatically focus on input fields, you’ll need a little bit of JavaScript. There are various solutions, and the one you should use depends on the functionality you want to achieve. The simplest way to do it would be to add the following to your body tag:

<body onLoad="document.forms.form_name.form_field.focus()">

Your form code should look something like:

<form method="get" name="form_name" action="#">
	<input type="text" name="form_field" size="20" />
	<input type="submit" value="Go" />
</form>

Now, every time the page loads, the text field called “form_field” will be automatically selected, ready for input.

The only problem with this is that if your users want to return to the previous page using the Backspace key, they will be out of luck because they’ll just be deleting characters in the input field. Thankfully, Harmen Janssen has another simple JavaScript solution you can find here. Harmen’s script allows the Backspace key to go to the previous page when there are no characters left in the input field to delete.

8. Custom input focus

While the default look of form elements suffices for most functions, sometimes we want something a little prettier or a little more standardized across various browsers and systems. We can style input fields by simply targeting it with an “id,” “class” or plain old “input,” like so:

input {
	border: 2px solid #888;
	padding: 4px;
	font-size: 1em;
	background-color: #F8F8F8;
}

What’s more interesting is also being able to style the input field when it’s in focus; that is, the state it’s in when it has been clicked. To do this, we need to attach a “:focus” after the “input” property:

input:focus {
	border-color: #000;
	background-color: #FFFE9D;
}

If you’re using custom backgrounds to style your input field, they may clash with some browsers and operating systems’ default focus styles. For example, here’s a screenshot of a custom-styled form clashing with the default blue OS X glow effect:

In such cases, you could also use the “input:focus” property to remove the default styling. The default blue glow in the screenshot above can be removed by disabling the “outline” property:

input:focus {
	outline: none;
}

The blue glow effect will now be gone:

Obviously you would only want to remove the outline if you’re replacing it with your own styling, so that you don’t negatively affect the accessibility and usability of your forms.

9. Hover controls

Some Web applications have extra utility controls, such as edit and delete buttons, that don’t necessarily have to be shown beside every item at all times. They can be hidden to simplify the interface and focus visitors’ attention on the main controls and content. For example, these hover controls are used in Twitter when you hover over messages:

These hover controls can be achieved with some simple CSS code, without any JavaScript. Simply style the <div> with the controls when its parent <div> is in a hover state. Here’s the code to hide and show the controls (using a <div> with the class “controls” inside a <div> with the class “message”):

.message .controls { display: none; }
.message:hover .controls { display: block; }

When you hover over the “message” <div>, the “controls” <div> inside it will appear, along with all of its content, giving you the same functionality as shown in the Twitter screenshot above.

There may be an issue with accessibility because screen readers may not be able to read the hidden <div>. There are plenty of other ways to hide the inner <div>, such as offsetting it with a negative margin that takes it off the page (e.g. “left-margin: -9999px”), coloring its text the same color as the background or simply placing another <div> on top of it.

This technique should of course be used with restraint because you don’t want to hide your important controls; but if used correctly, it can be useful for cleaning up your interface by removing those extra utility links that you don’t want to show up at all times.

Note that this doesn’t work in IE6, so you’ll need to override the hiding property in your IE6-specific style sheet or, if you don’t have one, simply use the following IE6-specific code inside the <head> section of your code:

<!--[if lt IE 7]>
  <style type="text/css" media="screen">
    .message .controls { display: block; }
  </style>
<![endif]-->

10. Verbs in labels

You can make options dialogs much more usable by thinking through the labels you use on buttons and links. If an error or message pops up and the options are “Yes,” “No” and “Cancel,” you have to read the whole message to be able to answer. Seems normal, right?

But we can actually speed things up by using verbs in the labels. So, if instead of “Yes,” “No” and “Cancel,” we have “Save,” “Don’t Save” and “Cancel” buttons, you wouldn’t even need to read the message to understand what the options are and which action to perform. All the information is contained in the button labels.

Using verbs in labels on buttons and links makes the options dialogs more usable because the labels contain all of the information the user needs to be able to make a decision.

To Conclude

Hopefully, you’ve found a few new techniques that will be useful in your work. As always, using them effectively comes down to restraint and thoughtful implementation. For example, controls that appear on hover may clean up your interface, but they will also increase the learning curve because people may not notice these controls at first. But showing all controls at all times may not be the best strategy either because users would need to scan more things to find what they’re looking for.

Striking the right balance between what you show and what you hide is a delicate art and is completely in your hands as the designer. Don’t use a technique just because it exists: use it if it makes sense in your context.

About the author

Dmitry Fadeyev is the founder of the Usability Post blog, where you can read his thoughts on good design and usability.

(al)

By Steven Snell

Photoshop users are able to benefit from the vast amount of high-quality resources that are freely available to the community. Brushes get a lot of attention, but custom shapes are also extremely useful in the right situations. Finding a custom shape that has already been created can save you some time and headaches in your design, and fortunately there is a very wide variety of custom shapes available.

This post highlights 80 different sets of custom shapes (over 2,500 individual shapes) in several different categories. If you plan to download and use any of these shapes be sure to check to terms and conditions set by the creator of the shapes.

1. People

People Silhouettes (306 shapes)

Costumes and Characters Shapes (56 shapes)

Skateboarding (9 shapes)

Skater Collection (3 shapes)

Skateboarders (8 shapes)

Stock Girls (8 shapes)

Businessman Silhouettes (12 shapes)

Business Girls (12 silhouettes)

Jumping People Silhouettes (104 shapes)

Break Dancing (8 shapes)

Hoops (57 shapes)

Presentational Shapes (10 shapes)

Random People Shapes (11 shapes)

People Shape Set (25 shapes)

Hot Babes (7 shapes)

Go-Go Girls (18 shapes)

Sexy Stances (13 shapes)

Ladies (7 shapes)

Sexy Girls (47 shapes)

2. Animals

Birds (12 shapes)

Butterflies (38 shapes)

Horses (9 shapes)

Horses (15 shapes)

Zebras (6 shapes)

Sea Creatures (27 shapes)

Animals (10 shapes)

Animal Patterns (13 shapes)

Bugs (20 shapes)

Weathered Flying Bugs (21 shapes)

3. Planes and Boats

Aircraft (21 shapes)

Maritime (27 shapes)

WW2 Planes (13 shapes)

4. Guns and Weapons

Guns (30 shapes)

Guns (26 shapes)

Ray Guns and Laser Blasters (15 shapes)

I Love Weapons (12 shapes)

5. Halloween Shapes

Halloween Shapes (23 shapes)

Halloween Shapes (10 shapes)

6. Trees

Trees (17 shapes)

Dead Trees (24 shapes)

Live Trees (21 shapes)

Plan Trees (20 shapes)

7. Circles

Retro Circles (10 shapes)

Circles (10 shapes)

Circles, Lines and Sunlights (108 shapes)

8. Random Shapes

Stars (200 shapes)

Sunbursts (30 shapes)

Splats and Drips (15 shapes)

Splat Shapes (8 shapes)

Stains & Blots (34 shapes)

Drips (25 shapes)

Paisley (24 shapes)

Kiddy Stuffs (72 shapes)

Ribbon Collection (3 shapes)

Voters Collection (2 shapes)

Surfing Themed Shapes (6 shapes)

Hero Shapes (13 shapes)

Flames (5 shapes)

Markers (23 shapes)

Vector Shapes (13 shapes)

Arrows (10 shapes)

Speech Bubble Shapes (42 shapes)

Cartoon Shapes (25 shapes)

Assorted Logos (38 shapes)

CD & DVD Logos (7 shapes)

Foliage Shapes (371 shapes)

Tools (9 shapes)

I Love Skulls (12 shapes)

Urban Shapes (31 shapes)

World Map (3 shapes)

Banner and Scrolls (28 shapes)

Art Supplies (16 shapes)

Skyline Collection (6 shapes)

Arabeski (23 shapes)

9. Combination Packs

Custom Shapes Pack v. 1.1 (100 shapes)

Custom Shape Pack (45 shapes)

50s Custom Shapes (14 shapes)

Revolution Collection (6 shapes)

Custom Shape Mix (24 shapes)

Vector Shape Mix (50 shapes)

If you’re interested in learning more about the basics of custom shapes, how to load them, and how to create your own, try the following resources.

• What are Photoshop Custom Shapes?
• Loading Custom Shapes
• Creating Custom Shapes
• Create Your Own Photoshop Custom Shapes
• Creating Photoshop Custom Shape Sets

About the Author:

Steven Snell is a Web designer and freelance blogger who can be found on his own blogs: Vandelay Website Design and DesignM.ag. (al)